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Setting its sound firmly between that of a live band and electronic outfit, Yoshimi Battles The Pink Robots has a distinctive, sometimes cinematic, always sunny style that stays with me long after each listen. I’ve got a lot of love for The Flaming Lips’ tenth studio album. Approaching Pavonis Mons by Balloon (Utopia Planitia) As things are, it’s a deeply pleasant listen with all the actual depth of a clean, sparkly pool of pink water. If it wasn’t so painstakingly produced, I think I’d fall for the scattered childhood memory cloud hook, line, and sinker. That said, these frustrations reflect a singular sense of let-down I get from the album. Why is the album laughing and applauding at itself all the time? What on earth are the screaming noises on “Yoshimi Battles Pt.
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The record feels overproduced, in every sense of the word, which keeps it from being more than pretty surface matter. The shiny whimsy of what goes on does not enchant me it leaves me glazed. I find myself indulging it rather than believing it. It’s often charming in its childishness, but I’m not charmed by it. As agreeable an impression as the album tends to make, it is a little mushy. Influences ranging from psychedelia to manga are pieced together throughout, although often toward a directionless end. Although it very, very, very vaguely threatens to be a concept album, in practice it jumbles into something far more abstract and clumsy. Yoshimi Battles the Pink Robots is baffling and nonsensical, but in a unique, creative, and colourful way. Its reflective quality means you get out of it what you put in, and one way or another, it takes a special kind of album to do that.īoasting a lovely lightness and colour of sound, the Flaming Lips’s tenth studio album seems to me like a childish fantasy. Its underlying message is to live for today, and to forget about the potential fear of the future, but Yoshimi Battles the Pink Robots will ultimately mean different things to different people. The record has its fair share of flaws, but the high points wrap you in enough warmth to ensure a mostly wonderful experience. These are some of the finest songs in the entire Lips discography, and are beloved sing-alongs at concerts. 1” the contagious chorus of “Do You Realize?” the mysterious melodies that comprise “Are You a Hypnotist?”. There are a handful of highlights that have become classics over time: the sweet and stomping sound of “Yoshimi Pt. It’s clumsy, yet very loveable, and there’s nothing else quite like it. In my mind, Yoshimi Battles the Pink Robots functions best as a fantastical journey of curious thoughts and emotions. 2” sounds like The Flaming Lips covering a Sonic The Hedgehog boss battle), but it remains too obscure to make any sort of sense. The overall sound is consistent enough for the album to get away with the occasional oddity (“Yoshimi Pt. It doesn’t exactly answer its own questions, and its depth can certainly be put into question, but so long as you take the album at face value, there’s a bundle of enjoyment to be had. In trying to tie down a detailed narrative, Yoshimi Battles the Pink Robots ends up being remarkably unfocused built upon scattered moments that listeners are required to join together. Wayne Coyne assembles this musical in typical Lips fashion, using a colourful blend of sprightly synths, stirring basslines, and whimsical lyrics. The tenth studio album from The Flaming Lips is an ambiguous musical fantasy, telling the tale of a fictional character named Yoshimi who defeats evil robots using the power of love, wonder, and… existentialism.